Recently we have been talking a lot about self tapes here in the office as there have been more and more requests for self tapes. Then we stumbled across this great post by our friends at Casting Frontier. Timing really is everything! Check out this episode
The basics of self-taping
It’s important actors make sure they can be seen and heard with clarity by the viewer. To achieve this, performers need to gain a handle on lighting, sound, backgrounds, wardrobes, and more. Click here for a list of self-taping fundamentals that keep your self-tapes in the running.
Timing is everything
If casting requires self-tapes be submitted as soon as possible, make sure to get yours out right away. “Often people will overthink things and get too stressed about making this a perfect thing, when what we need is now—we need it now,” Levine says. Submitting it days past the due date is a pretty sure way your tape won’t make it to the client. And if casting asks for a tape in two weeks, Levine suggests to get the tape in sooner than two weeks; don’t wait.
While attempting to perfect their self-tapes, some performers take things a little too far. Levine gives the example of actors who shoot the scene and put a score to it. Instead of increasing the quality of the audition, Levine insists the overly produced tape ends up distracting from the actual performance. He recommends actors put their energy into their performances rather than any number of technical embellishments.
Exceptions to the rules
Limiting distractions is essential when it comes to self-taping in order to showcase the actor and his or her abilities. So, a basic rule is to have a solid-colored background whether it be a painted wall or a backdrop. This keeps the viewers’ eyes comfortably focussed on the performer. However, actors also need to be flexible. Let’s say you’ve got everything all set up: your lights, camera, backdrop, and a room with no sound distractions. And then, casting surprises you by asking for an outdoor performance. Levine says, “Sometimes, your environment is something they’re interested in also. So, whatever the nature of this particular commercial, they may want to see where you live, or tell you to shoot it in your backyard or with your family, or a lot of things we couldn’t create in [the audition room].” In fact, he says sometimes they’re searching not just for talent, but for a location as well.
Your actor’s slate might be more important than you think
Sometimes the client is really only interested in viewing an actor’s slate. “If there isn’t any dialogue, I have clients who just want to see what you look like today—that you’re alive and friendly,” Levine says. And make sure to exactly follow the slating instructions for the role. The actors who neglect to comply with the instructions end up calling into question if they can follow directions on set.
Click here to read the full post on Casting Frontier!